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QUENTIN TARANTINO
1. The Good, the Bad and the Ugly (Leone, 1966)
2. Rio Bravo (Hawks, 1959)
3. Taxi Driver (Scorsese, 1976)
4. His Girl Friday (Hawks, 1939)
5. Rolling Thunder (Flynn, 1977)
6. They All Laughed (Bogdanovich, 1981)
7. The Great Escape (J Sturges, 1963)
8. Carrie (De Palma, 1976)
9. Coffy (Hill, 1973)
10. Five Fingers of Death (Chang, 1973)
TIM ROBBINS
1. The Battle of Algiers (Pontecorvo, 1965)
2. The Clowns (Fellini, 1971)
3. Don't Look Back (Pennebaker, 1967)
4. The Lower Depths (Kurosawa, 1957)
5. McCabe & Mrs Miller (Altman, 1971)
6. My Man Godfrey (La Cava, 1936)
7. Nashville (Altman, 1975)
8. Network (Lumet, 1976)
9. Underground (Kusturica, 1995)
10. Waiting for Guffman (Guest, 1996)
PAUL VERHOEVEN
1. La Dolce Vita (Fellini, 1960)
2. Ivan the Terrible, Part II (Eisenstein, 1958)
3. Lawrence of Arabia (Lean, 1962)
4. Rashomon (Kurosawa, 1951)
5. Vertigo (Hitchcock, 1958)
6. The Seventh Seal (Bergman, 1956)
7. La Règle du Jeu (Renoir, 1939)
8. Metropolis (Lang, 1927)
9. Los Olvidados (Buñuel, 1950)
10. Some Like It Hot (Wilder, 1959)
GILLIAN ARMSTRONG
1. Citizen Kane (Welles, 1941)
2. Raging Bull (Scorsese, 1980)
3. La Strada (Fellini, 1954)
4. The Godfather Part II (Coppola, 1974)
5. Rashomon (Kurosawa, 1951)
6. Chinatown (Polanski, 1974)
7. Bicycle Thieves (De Sica, 1948)
8. 8 1/2 (Fellini, 1963)
9. Singin' in the Rain (Kelly, Donen, 1952)
10. Vertigo (Hitchcock, 1958)
BERNARDO BERTOLUCCI
1. La Règle du Jeu (Renoir, 1939)
2. Sansho Dayu (Mizoguchi, 1954)
3. Germany, Year Zero (Rossellini, 1947)
4. A Bout de Souffle (Godard, 1959)
5. Stagecoach (Ford, 1939)
6. Blue Velvet (Lynch, 1986)
7. City Lights (Chaplin, 1931)
8. Marnie (Hitchcock, 1964)
9. Accattone (Pasolini, 1961)
10. Touch of Evil (Welles, 1958)
JOHN BOORMAN
1. Seven Samurai (Kurosawa, 1954)
2. The Seventh Seal (Bergman, 1956)
3. 8 1/2 (Fellini, 1963)
4. That Obscure Object of Desire (Buñuel, 1977)
5. Dr Strangelove (Kubrick, 1963)
6. Citizen Kane (Welles, 1941)
7. Sunset Blvd (Wilder, 1950)
8. Solaris (Tarkovsky, 1972)
9. La Roue (Gance, 1923)
10. The Birth of a Nation (Griffith, 1915)
JIM JARMUSCH
1. L'Atalante (Vigo, 1934)
2. Tokyo Story (Ozu, 1953)
3. They Live by Night (N Ray, 1949)
4. Bob le flambeur (Melville, 1955)
5. Sunrise (Murnau, 1927)
6. The Cameraman (Sedgwick, 1928)
7. Mouchette (Bresson, 1967)
8. Seven Samurai (Kurosawa, 1954)
9. Broken Blossoms (Griffith, 1919)
10. Rome, Open City (Rossellini, 1945)
MILOS FORMAN
1. Amarcord (Fellini, 1973)
2. American Graffiti (Lucas, 1973)
3. Citizen Kane (Welles, 1941)
4. City Lights (Chaplin, 1931)
5. The Deer Hunter (Cimino, 1978)
6. Les Enfants du Paradis (Carné, 1945)
7. Giant (Stevens, 1956)
8. The Godfather (Coppola, 1972)
9. Miracle in Milan (De Sica, 1951)
10. Raging Bull (Scorsese, 1980)
CATHERINE BREILLAT
1. Ai No Corrida (Oshima, 1976)
2. Sawdust and Tinsel (Bergman, 1953)
3. Baby Doll (Kazan, 1956)
4. Lost Highway (Lynch, 1996)
5. Vertigo (Hitchcock, 1958)
6. Salo (Pasolini, 1975)
7. L'Avventura (Antonioni, 1960)
8. Ordet (Dreyer, 1954)
9. Lancelot du Lac (Bresson, 1974)
10. 10 (Kiarostami, 2002)
CAMERON CROWE
1. The Apartment (Wilder, 1960)
2. La Règle du Jeu (Renoir, 1939)
3. La Dolce Vita (Fellini, 1960)
4. Manhattan (Allen, 1979)
5. The Best Years of Our Lives (Wyler, 1946)
6. To Kill a Mockingbird (Mulligan, 1962)
7. Harold and Maude (Ashby, 1971)
8. Pulp Fiction (Tarantino, 1994)
9. Quadrophenia (Roddam, 1979)
10. Ninotchka (Lubitsch, 1939)
SAM MENDES
1. Citizen Kane (Welles, 1941)
2. Fanny and Alexander (Bergman, 1982)
3. The Godfather Part II (Coppola, 1974)
4. The Piano (Campion, 1993)
5. The Red Shoes (Powell, Pressburger, 1948)
6. Sunset Blvd (Wilder, 1950)
7. 2001: A Space Odyssey (Kubrick, 1968)
8. Taxi Driver (Scorsese, 1976)
9. Vertigo (Hitchcock, 1958)
10. The Wizard of Oz (Fleming, 1939)
LUKAS MOODYSSON
1. Bicycle Thieves (De Sica, 1948)
2. Fanny and Alexander (Bergman, 1982)
3. Gummo (Korine, 1997)
4. La Haine (Kassovitz, 1995)
5. The Last Picture Show (Bogdanovich, 1971)
6. The Mirror (Tarkovsky, 1975)
7. On the Waterfront (Kazan, 1954)
8. Riff-Raff (Loach, 1990)
9. Secrets & Lies (Leigh, 1996)
10. Where Is My Friend's House? (Kiarostami, 1987)
MIKE NEWELL
1. The Apartment (Wilder, 1960)
2. Bad Day at Black Rock (J Sturges, 1955)
3. Fanny andAlexander (Bergman, 1982)
4. La Grande Illusion (Renoir, 1937)
5. Kind Hearts and Coronets (Hamer, 1949)
6. Lacombe Lucien (Malle, 1974)
7. The Leopard (Visconti, 1963)
8. My Darling Clementine (Ford, 1946)
9. Notorious (Hitchcock, 1946)
10. War and Peace (Vidor, 1956)
TERRY JONES
1. Annie Hall (Allen, 1977)
2. Apocalypse Now (Coppola, 1979)
3. Duck Soup (McCarey, 1933)
4. Fanny and Alexander (Bergman, 1982)
5. Groundhog Day (Ramis, 1993)
6. Guys and Dolls (Mankiewicz, 1955)
7. Jour de Fête (Tati, 1949)
8. Napoléon (Gance, 1927)
9. The Pathfinder (Salkow, 1952)
10. Steamboat Bill, Jr (Riesner, 1928)
MICHAEL MANN
1. Apocalypse Now (Coppola, 1979)
2. Battleship Potemkin (Eisenstein, 1925)
3. Citizen Kane (Welles, 1941)
4. Dr Strangelove (Kubrick, 1963)
5. Faust (Murnau, 1926)
6. Last Year at Marienbad (Resnais, 1961)
7. My Darling Clementine (Ford, 1946)
8. The Passion of Joan of Arc (Dreyer, 1928)
9. Raging Bull (Scorsese, 1980)
10. The Wild Bunch (Peckinpah, 1969)
KEN LOACH
1. A Bout de Souffle (Godard, 1959)
2. The Battle of Algiers (Pontecorvo, 1965)
3. A Blonde in Love (Forman, 1965)
4. Bicycle Thieves (De Sica, 1948)
5. Closely Observed Trains (Menzel, 1966)
6. Fireman's Ball (Forman, 1967)
7. Jules et Jim (Truffaut, 1962)
8. La Règle du Jeu (Renoir, 1939)
9. The Tree of the Wooden Clogs (Olmi, 1978)
10. Wild Strawberries (Bergman, 1957)
SIDNEY LUMET
1. The Best Years of Our Lives (Wyler, 1946)
2. Fanny and Alexander (Bergman, 1982)
3. The Godfather (Coppola, 1972)
4. The Grapes of Wrath (Ford, 1940)
5. Intolerance (Griffith, 1916)
6. The Passion of Joan of Arc (Dreyer, 1928)
7. Ran (Kurosawa, 1985)
8. Roma (Fellini, 1972)
9. Singin' in the Rain (Kelly, Donen, 1952)
10. 2001: A Space Odyssey (Kubrick, 1968)
I'll probably add more to this but right off the top of my head, almost all the lists have something to recommend them. Bertolucci's is the most impressive, tho.
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